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| Master Yun Long Zi |
On 3 April 2024, Master Yun International Symposium cum Art Exhibition, themed “Art Education and Dialogue with the World”, was held at the National People’s Congress Conference Centre in Beijing, China. Leaders from Chinese national ministries and commissions, artists from Singapore, ambassadors to China, and guests gathered to join a cultural and artistic feast.
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| Mr Hu Zhenmin |
Hu Zhenmin, former Deputy Minister of the Central Propaganda Department of the Communist Party of China, former Secretary and Vice Chairman of the Party Group in the China Federation of Literary and Art Circles, Executive Vice Chairman of the China Cares for the Next Generation Work Committee, attended the symposium and announced its opening. The symposium was hosted by Song Chengjiao of China Central Television (CCTV).
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| Mr Teng Daoyang |
Mr Teng Daoyang, Chairman of the Entrepreneurs Strategic Working Committee of the Private Science and Technology Promoters Association under the Ministry of Science and Technology, Expert Advisor of the Academic Committee of the International Celebrity Culture Research Society of the China Federation of Literary and Art Circles, Honorary Chairman of the Organising Committee of the International Symposium On Master Yun’s Fengshui Art, delivered a welcome speech. He praised Master Yun Long Zi’s works for their deep traditional heritage and distinct contemporary vibe. He highlighted Master Yun’s artistic achievements and passion for Chinese culture, not only setting an example for artists but also contributing to the promotion of Chinese culture globally. Master Yun is considered a guardian and promoter of traditional Chinese culture.
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Chinese Singaporean artist, Master Yun Long Zi, gave a brilliant speech. He’s the founder of the “Celebrationism” art style, the first artist invited to exhibit at the Great Wall of China, Honorary President of the International Art and Culture (Singapore) Federation, founder of Singapore’s Lotus on Water Fengshui Gallery, and Chairman of the International Symposium On Master Yun’s Fengshui Art. He thanked the leaders and guests for their attendance, explaining how his works display the aesthetic taste of Chinese calligraphy and incorporate the effects of light, shadow, and colour from Western paintings. He expressed pride not in the uniqueness of his works but in their inclusivity.
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| Mr Kan Ying Loong |
Mr Kan Ying Loong, Executive Director of Singapore’s Lotus on Water Fengshui Gallery and Vice Chairman of the International Symposium On Master Yun’s Fengshui Art, delivered a keynote speech on “The Impact of Master Yun’s Art in Promoting Chinese Culture Internationally and Its Deep Influence on the People”. He thanked Master Yun for bringing art into people’s lives, resonating with their daily essentials and shopping, and for re-centering art around humanity, awakening the public’s inner nobility, elegance, beauty, positivity, and greatness, and promoting the spirit of Celebrationism as an inspiration for joy.
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| Prince Tesso Sisowath |
At the symposium, Prince Tesso Sisowath of the Kingdom of Cambodia, director of the Princess Buppha Devi Dance Academy and a representative of the royal ballet cultural heritage in the Kingdom of Cambodia, gave a keynote speech on “The Cultural Bridge Role Played by Master Yun’s Art Internationally Amongst the Nobility”, and conducted a ceremony to present Master Yun with Cambodia’s intangible cultural heritage of the royal ballet.
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| Mr Eric Raisina |
Eric Raisina, founder of the Eric Raisina Couture House, a renowned international fashion designer, and the pioneer of Cambodian silk fashion, delivered a keynote speech on “The Bridge Between Master Yun’s Art and Fashion Culture”.
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| Dr Qu Zequan |
Dr Qu Zequan, General Manager of Singapore Mingding International (Group) and chief lecturer at Singapore Mingding International Education and Training Centre, spoke on “The Symbiosis and Mutual Growth of Philosophy, Character, and Calligraphy and Painting: An Insight into Master Yun’s Artistic Style”. They discussed Master Yun’s art and Chinese culture, aristocratic culture, fashion culture, and the symbiosis of philosophy, character, and calligraphy and painting from various perspectives, delving deeply into Master Yun’s calligraphy and paintings. The collision and integration of Eastern and Western cultures were felt, showcasing the unique charm of multicultural interactions, stories of cultural exchange, open cooperation, and the search for common ground amidst cultural differences.
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In recent years, China has prioritised the creative transformation and innovative development of traditional Chinese arts and culture. Against the backdrop of globalisation, cultural exchange and integration have brought us new opportunities. Firstly, it has fostered friendly relations and economic cooperation between countries. Cultural exchange and integration also help break down cultural barriers and prejudices, enhancing mutual understanding and respect among different cultures. Secondly, it has provided a broader stage and more possibilities for cultural innovation and development. The successful organisation of International Symposium On Master Yun’s Fengshui Art has stimulated the creativity and imagination of cultural and artistic creators, injecting new vitality into cultural innovation and development.
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